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Its film features cover the King Kong remake and the giant-worm film Squirm, each in their own way a sign of science fiction reverting back to giant monster movies after a more experimental period. Cover-dated August, 1976, the first issue of Starlog features an episode guide to Star Trek, and articles on The Bionic Woman and Space: 1999, but only a passing reference to The Man Who Fell To Earth.

Bionic woman ancient space men movie#

The film entered a movie marketplace that had grown unfriendly to science fiction: 1976’s most significant science-fiction hit was Logan’s Run, and genre fans had moved their attention back to the small screen. Nobody in those photos knows what’s about to hit them.Įven Lippincott couldn’t have known: His Comic Con visit coincided with the last days of principal photography on what had turned out to be a difficult production, with Lucas frequently clashing with his British crew. There aren’t many photos from the event, but those that remain look strange and a little poignant, particularly Lippincott manning a lightly trafficked Star Wars booth next to a Super 8 display, and a handful of curious people seeing Darth Vader for the first time as they sit politely amid many empty seats. Before a crowd that Lippincott’s co-worker Craig Miller estimated as “a few hundred, maybe,” Lippincott revealed the first images from Star Wars.

In July 1976, Charles Lippincott, then head of marketing for Lucasfilm, went to the San Diego Comic Con with a slide show. Back before the excitement of the forthcoming sequels, before Jar Jar, before old-time fans needed to clarify that Han shot first, before the action figures, before the disco records, even before the addition of “A New Hope.” Let’s go back almost to the start, to the summer before Star Wars. But combining a few of them lets us make some sense of the question. Why? Of all the science-fiction films released in the long wake of 2001: A Space Odyssey and Planet Of The Apes, why did Star Wars take hold in a way no film before it had? None of the many answers are entirely satisfying. (Another example: the need for its convoluted new title, “ Star Wars-Episode IV: A New Hope.”) But it’s as good example as any of how a few ideas in the head of a young USC grad have become a phenomenon much bigger than his 1977 science-fiction film Star Wars. “The Star Wars Minute” is merely one among many offshoots of Star Wars’ popularity. Each of those episodes devote upward of 20 minutes of commentary to 60 seconds of screen time. At the top: “Emperor Ford Xerxes II.” The list included “Xenos,” “Leilam,” “Owen,” “Mace,” “Biggs,” “Han Solo,” “Lord Anakin Starkiller,” and “Luke Skywalker.” This list, the first pen-to-paper result of a space-opera idea Lucas had been kicking around with others for years, led to a two-page document Lucas called “Journal Of The Whills, I.” On June 3, 2013, graphic novelist Alex Robinson and digital media manager Pete Bonavita, also known as Pete The Retailer, launched a podcast called “ The Star Wars Minute.” Each of the first 122 episodes analyzed a single minute of the movie that resulted from those 40-year-old documents. In early 1973, filmmaker George Lucas started a list of names.